There’s always been something magical about the soundtracks of the skate flicks you watched as a kid, and the music would echo in your head for days. 7apes and Enaka joined forces to provide the soundtrack for your next ripping session. „Brrrrr stick 'em, ha-ha-ha stick 'em“, that chant rings in your ears as you lock in for that crooked grind. Rattling drums meet crunchy ass basslines as you pop down that staircase. 

The beat halts as the world turns slo-mo while you catch that frontside flip half way through the air. Boom, landed, and the beat goes on, and on, and on. Everyone comes running up to you, screaming & shouting, the energy is at peak. 7apes and Enaka know that feeling oh too well. On GRIPTAPE, they’ve turned it into sound, a hundredfold. S-K-A-T-E. Let’s play.

Matter of Perception. The faster you move, the slower your time passes until you reach light speed, at which point time stops and does not move forward or backward. Your high is takin signs and the shit is about to kick. You turn around and look at the world, your inner self, what do you see? Planet B. 

Cap Kendricks takes us on a trip through the human mind. Body high. New space is expanding everywhere, all the time. Before you know it, you’re drifting through a world of dreams and and a blur of memories. Fuzzy textures make you float through your psyche, drippy and shimmering synth pads create a universe onto themselves. And just when you thought you were safe, the music teleports you into another galaxy. Are you trippin’ yet? What’s your planet B?

You're doing your rounds. Running in circles. Always the same. You know - upside down, round and round. The eternal rat race. Don't be fooled, a new record won't get you out of this mess, but hey, it would be a hell of a soundtrack, that's for sure. 'Beats Beim Drehen' is the second producer-album by Nobodys Face. 

14 tracks, entirely instrumental, in part solo, in part produced during sessions with other heavyweights (e.g. Farhot, Torky Tork, Suff Daddy, Dead Rabbit, 7apes, BENDMA, nomono) in the game. Always Green Berlin though. Somewhere between greener grass and sombre corners in the club, spheric lo-fi vibes meet brute signature-bass braggadocio. And you? You're in the midst of it all.

In chemistry, an activated complex refers to a collection of intermediate structures in a chemical reaction that persist while bonds are breaking and new bonds are forming. In music, there’s an infinite number of combinations to make your heart bounce and your body rock. Packed Rich has found 16 of them. These are his Elementals.

At age 20, you don’t think twice, you just do. With every new track, this kid is headed into the next experiment, constantly stretching the boundaries of sound. „What if?… Let’s find out!“ With a clear staple in instrumental Hip Hop, he likes to explore other worlds, bring in some housy 4 to the floor vibes, throw in some wonk of a broken beat, or completely space out on some jazz improv, just to see what happens. 

Lito Akari's debut album is the narrative of extraterrestrial life arriving on planet earth. Nothing will ever be the same. It's a beat odyssey into the unknown through time and space of the infinite universe. Floating synthesizers and distorted tape deck sounds, atmospheric vocals over crackling vinyl and organic basses - Lito Akari creates weightlessness, infused with frilly drums, Lo-Fi beats drifting off to classic breaks and pumping West Coast vibes. 

The unconventional producer with German-Turkish roots blurs the boundaries between sample based production and life instrumentation. Fragmented sound recordings of contemporary witnesses lead through this experimental journey. The consistent mood of the concept album is also underlined visually with artwork and video art in his own handwriting. 

Son of a bitch. It's been a minute since our antihero & hidden gem left Germany's hip-hop scene amazed by his highly acclaimed debut release. Enter CULTURE, the synthesis of bass heavy, modern production & arrangements, obscure rap cameos and dreamy vocal chops. CULTURE is KUSO GVKI's very own way of setting a new standard of artsiness & musical freedom in 2019. 

The beat wunderkind, raised in a Japanese home, uses his music to reflect on critical topics ranging from materialism and religion to sexism, violence, and racism, yet never without leaving plenty of space to explore his very own concept of modern day identity. KUSO GVKI's filthy art stretches the lines of political correctness over and over again, challenging his audience to look beneath the surface. The shitty brat did it again.